Organization for Transformative Works News

Hypable reported on how a The 100 fanfic went viral in non-fanfic communities. "It’s absolutely hilarious to see how non-fandom has responded to this fictional argument, and how people have even taken sides — but the fact that Clarke was immediately assumed to be a male does say a lot about our heteronormative society, doesn’t it?! Despite this somewhat depressing factor, The 100 fans are having a blast with this, and are fully embracing the ridiculousness of #ClarketheHusband. We’ve never been more in love with this fandom."

Fanworks are usually a source of joy but that can go sour when they’re thrust into communities they weren’t made for http://bit.ly/1Tfa4PM

The New Statesman weighed in on an important discussion as fanworks become more well known: what actually counts as one? "It comes down, as it often does, to money. Because money, and a lack of it, is at the heart of long-held tensions about fanworks. Fanfiction is overwhelmingly the product of unpaid labour, millions and millions of words given freely, whether for legal reasons or community norms.

Because it isn’t compensated – and because it is so often done by women it is devalued, as an art form and as a way to spend one’s time. When money is added to the mix, whether in giant pull-to-publish book deals or, increasingly, fanfiction contests and authors sponsored by television networks and Hollywood studios, the place that fanworks occupy in the vast sphere of adaptation and reworking begins to shift. And not always for the better."

What are fanworks? For many that’s becoming a difficult question to answer as fanworks and fandoms get co-opted: http://bit.ly/1QwCkz0