Journal Committee Announced

[femmequixotic]

We'd like to announce our new Journal Committee, whose function is the launching of an international, blind peer-reviewed journal published online twice a year by the OTW. The journal will be committed to publishing high-quality academic research as a way to document and analyze fan histories, cultures, and artifacts. Its first issue is slated for publication in September 2008.

Journal Committee:
Chair: Karen Hellekson
Kristina Busse
Cynthia W. Walker
Deborah Kaplan
Alexis Lothian
Cole J. Banning
Julie Levin Russo

The journal has been named Transformative Works and Cultures (TWC). The committee is in the process of appointing scholars to the journal's advisory and review boards. They plan to have a call for papers by February 2008.

Henry Jenkins, director of the comparative media studies program at MIT, author of such works as Textual Poachers; Fans, Gamers and Bloggers; and Convergence Culture and member of TWC’s advisory board, says:

The field of Fan Studies has come of age: there are dozens of gifted young scholars from a range of different disciplines doing groundbreaking work in the field at the moment, each bringing their own distinctive theoretical and methodological perspectives to the topic, each connecting the study of fans to larger debates surrounding media and society. The time is ripe for a journal which will bring all of these researchers together and provide them with an intellectual home. And ideally that journal will come bottom up—from the community of fans and fan scholars. Given this context, Transformative Works and Cultures is a dream come true—an exciting chance to consolidate this field and at the same time, bridge the gap between fans and fan scholars.

TWC will publish articles about transformative works and related areas, including fan fiction, fan vids, fan communities, film, TV, anime, comic books, video games, and machinima. The journal invites a variety of critical approaches and encourages authors to consider writing personal essays integrated with scholarship, hyperlinked articles, or other forms that test the limits of the genre of academic writing. TWC’s aim is twofold: to promote dialogue between the academic community and the fan community, and to provide a publishing outlet that welcomes fan-related topics.

TWC plans a mix of traditional academic articles and shorter contributions in a Symposium section. We hope to solicit contributions from leading figures in the field, emerging scholars from a variety of disciplines, and theoretical-minded fans. Like OTW, TWC has an expanded notion of fair use. The publication permits the duplication of stills, and the journal will include the ability to embed video clips. TWC will be copyrighted under a Creative Commons license.

ETA: From the Journal Committee... The journal accepts four types of contributions: theory, practice, Symposium, and reviews. Theory is comprised of full-length research essays that are 6,000–9,000 words long. Essays in this section propose novel ideas that are placed within a coherent theoretical framework and add something new to the field.

Practice is comprised of 3,000–6,000 words long essays that apply a specific theory to a community; explicate fan practice; perform a detailed reading of a specific text; or otherwise relate practice to theory within a theoretical framework. Theory and Practice essays are blind peer-reviewed by up to three reviewers, who are scholars in media studies, fan studies, English, communication, and related fields.

Symposium is named in homage to the fan-based collection of meta essays and in its spirit collects collects short, thematically contained essays. These 1,500-word essays provide insight into current events on any topic.

Reviews are of items of interest in the fields of fan and media studies and include a description of the item's content, an evaluation of its importance in a larger context, and an assessment of the likely audience. Symposium essays and reviews will be editorially reviewed.

---femmequixotic, bethbethbeth, ciderpress, mirabile_dictu, shrift, svmadelyn
Community Relations Committee

Comments

[slashpine.livejournal.com]

Of course. I think we all know that. My own fan activities take place in many locations that are not LJ - thank goodness. So do those of many of the OTW people, I know - perhaps all.

My point is that ANY software that allows for a robustly interactive, iterative, non-ephemeral, and many-to-many conversation --- the sort humans LIKE to have, as opposed to the sort computer limitations force upon us --- is going to be better.

One of the values of fandom is its ability to be non-hegemonic and non-dictatorial, to invite and include many voices, rather than being run by a few individuals unwilling to open up to new perspectives or organizational frameworks. Just as fan activity sees "other voices" in a text, and fandom allows other voices to surface alongside the author's, and college classrooms, corporate meetings, and government processes can either allow -- or stifle -- multiple and diverse conversations and voices, so computer formats can also either allow and encourage, or inhibit and stifle, multiple voices.

My work is not only in fandom but in facilitating collaborative, open, many-to-many communication -- in the classroom, in governmental and organizational processes, and in social and environmental sustainability. I am keenly interested in seeing OTW's activities foster productive new social openness, USING ANY SOFTWARE, rather than default to software that is convenient, "shiny," and OMG the favorite of the existing hegemonies and patriarchies, and thus replicate or perpetuate inaccessibility, conventionality, and divisiveness (such as LJ has helped create just this summer ;-) even while studying fandom's celebration of the opposite!

Form follows function.